3. To improve the blending of the bone structure, I added more clay around the eye sockets of the mask. I arched the brow bones more and created more dips into the the length of the snout.
5. To make the snout less boxy and more accurate to a deer skull, I cut off the edges of the nose and slimmed down the overall shape of the mouth. I decided to add clay to the sides of the snout too, so there were no flat areas and the mask look like bone. To create the frayed ends of the nose I re-wet the paper mache and stuck short pieces of wire into the structure, then covered the wire with clay. Now the mask began to come alive.
6. For the final touches, the mask needed extra painting to give it the colour of bone. In the dips and crevices of the skull, I used watercolour on acrylic to create a light brown shadow to emphasize the likeness of bone. I painted with light brown along the snout and in the cracks of the crown for a more realistic look.